
Ettore Scola (Italian pronunciation: [ˈɛttore ˈskɔːla]; 10 May 1931 – 19 January 2016) was an Italian screenwriter and film director. He received a Golden Globe for Best Foreign Film in 1978 for his film A Special Day and over the course of his film career was nominated for five Academy Awards for Best Foreign Language Film.
Scola was born in Trevico, Avellino, Campania. From age 15, he became a ghostwriter. He entered the film industry as a screenwriter in 1953, and collaborated with director Dino Risi and fellow writer Ruggero Maccari on the screenplay for Risi's feature, Il Sorpasso (1962). He directed his first film, Let's Talk About Women, in 1964. In 1974 Scola enjoyed international success with We All Loved Each Other So Much (C'eravamo tanto amati), a wide fresco of post-World War II Italian life and politics, dedicated to fellow director Vittorio De Sica. The film won the Golden Prize at the 9th Moscow International Film Festival. In 1976 he won the Prix de la mise en scène at the 1976 Cannes Film Festival for Brutti, sporchi e cattivi.
Biography from Wikipedia, CC BY-SA. Credits and photos from TMDB.
The titles people know Ettore from.
IMDb rating of each title they made on Cineora, by year.

Director
Director · Writer
Director · Writer

Director

Director
Director · Screenplay
Director · Writer

Director
Director
Director · Screenplay · Story
Director · Screenplay · Story
Director · Screenplay
Director · Screenplay · Story
Director · Screenplay

Creator · Producer · 6 episodes
Director · Screenplay · Story
Director · Screenplay · Story
Screenplay

Director
Director · Writer
Director
Director · Screenplay · Story
Director · Story
Director · Writer
Screenplay
Director · Screenplay · Story
Director · Writer

Director
Director · Screenplay
Director · Screenplay
Screenplay · Story

Screenplay · Story
Director · Screenplay · Story
Screenplay · Story
Screenplay · Story

Director · Screenplay · Story

Screenplay

Screenplay · Story
Screenplay

Screenplay
Screenplay

Screenplay
Screenplay
Screenplay
The people who keep turning up in Ettore’s titles.








